欧洲的某个地方
54
1.0
已完结
欧洲的某个地方
1.0
更新时间:11月11日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
265
1948
欧洲的某个地方
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
四月三周两天
52
8.0
已完结
四月三周两天
8.0
更新时间:11月11日
主演:安娜玛丽亚·玛琳卡,劳拉·瓦西里,弗拉德·伊凡诺夫,亚历山德鲁·波托切安,卢米妮察·盖奥尔吉乌,阿迪·克勒乌莱亚努,莉莉亚娜·莫卡努,塔妮娅·波帕,特奥多·科尔班,切拉塞拉·约西费斯库,多鲁·安娜,欧根尼娅·博萨恩斯努,伊昂·萨普达鲁,克里斯蒂娜·布布鲁兹,马里奥拉·施特里安,埃米尔·科泽,杰奥尔杰塔·珀杜拉鲁·布尔杜然,杰奥·多布雷,默德莉娜·吉采斯库,克特莉娜·哈拉巴久,森济亚娜·塔尔策,米哈埃拉·亚历山德鲁,哈齐姆·叶拉扬
简介:苏联解体前夕的1987年,其时还是社会主义国家的罗马尼亚仍有明确法律禁止堕胎。布加勒斯特被男友抛弃的女大学生Gabita意外怀孕,她的室友兼好友Otilia(Anamaria Marinca)决定帮她秘密堕胎。通过朋友的介绍,两人联系到了愿意做手术的医生,并估算着筹集到了一笔数目不小的钱。  不想,她们所筹的钱无法满足医生的要求。在做手术的地点——一家廉价旅馆里——医生提出用Otilia的身体做交换。为彻底帮助Gabita,Otilia答应了医生的要求,事后,她开始思考自己同男友的关系,并提出假设:如果她意外怀孕,男友会是怎样的态度?而影片名字“四月三周两天”,正是Gabita从怀孕到堕胎的时间总长。
5672
2007
四月三周两天
主演:安娜玛丽亚·玛琳卡,劳拉·瓦西里,弗拉德·伊凡诺夫,亚历山德鲁·波托切安,卢米妮察·盖奥尔吉乌,阿迪·克勒乌莱亚努,莉莉亚娜·莫卡努,塔妮娅·波帕,特奥多·科尔班,切拉塞拉·约西费斯库,多鲁·安娜,欧根尼娅·博萨恩斯努,伊昂·萨普达鲁,克里斯蒂娜·布布鲁兹,马里奥拉·施特里安,埃米尔·科泽,杰奥尔杰塔·珀杜拉鲁·布尔杜然,杰奥·多布雷,默德莉娜·吉采斯库,克特莉娜·哈拉巴久,森济亚娜·塔尔策,米哈埃拉·亚历山德鲁,哈齐姆·叶拉扬
灿烂人生
49
1.0
已完结
灿烂人生
1.0
更新时间:11月14日
主演:路易吉·洛·卡肖,阿莱西奥·博尼,索尼娅·贝加马斯科,玛雅·珊萨,法布里齐奥·吉福尼,杰丝敏·特丽卡,里卡多·斯卡马乔,安德烈提多娜,瓦伦蒂娜·卡妮卢提,卡米拉·菲利皮,莉迪亚·维塔莱,Claudio Gioè,斯特凡诺·阿伯蒂
简介:马里奥(阿莱西奥•博尼AlessioBoni饰)和尼古拉(卢伊吉洛•肖卡LuigiLoCascio饰)是亲密无间的两兄弟,但是酷爱诗歌的马里奥却在考试中因为与教授意见相左而不及格,相反尼古拉投其所好的表现赢得了医学教授的好评拿到了高eee。他们几个朋友相约去毕业旅行,但是马里奥却带来了另外一个不速之客——他从精神病院搭救出来受伤的女孩佐珍(杰丝敏•特丽卡JasmineTrinca饰)。于是,兄弟俩决定陪她寻找亲人。在一片革命洪流之中,马里奥弃笔从戎,选择做警察,而尼古拉则漂泊异乡成为了精神科医生。佛罗伦萨的大水,让兄弟俩重逢,此时尼古拉已经和钢琴师朱莉安成为伉俪。而马里奥则对摄影师米雷拉一见钟情。他们的感情同样经受着社会动荡的考验……  本片片长6个小时,通过讲述意大利一家人的悲欢离合,反映了意大利从1966年至2000年的社会巨变。
512
2003
灿烂人生
主演:路易吉·洛·卡肖,阿莱西奥·博尼,索尼娅·贝加马斯科,玛雅·珊萨,法布里齐奥·吉福尼,杰丝敏·特丽卡,里卡多·斯卡马乔,安德烈提多娜,瓦伦蒂娜·卡妮卢提,卡米拉·菲利皮,莉迪亚·维塔莱,Claudio Gioè,斯特凡诺·阿伯蒂
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